A place for you to learn, get inspired, and keep up to date with all things SmugMug and photography
The newest edition of One Day One Artist follows content creator Alex Qian as he returns to his old stomping grounds — Chicago, the Windy City — in search of favorite spots and unexpected shots. Watch the film and read on to learn more about Alex and his tips for incredible photography.
Alex Qian is a bit of a mashup: part photographer, part content creator, part educator, part business owner. Depending on the day, you might catch him on a commercial shoot, or running a photography workshop, or crafting content for his dedicated social media following — or, if you’re as lucky as we were, just wandering the city looking for the perfect shot.
In our latest One Day One Artist film, the Chicago-born and LA-based creative takes us on a tour of his old stomping grounds. Watch the film below, and keep reading for a few of his tips on mastering the multifaceted hustle that is professional photography.
I like to describe my work as a mashup of creativity through exploring and learning pieces of each of the different fields of expression that I have touched. Though my artwork is primarily land/cityscape and adventure lifestyle focused, I continue to strive to stay open-minded in this crazy and fast-progressing world to look for ways to improve my work in both photography and video. I am a Millennial growing up in the internet-age, so I learned a lot of what I know now through social media, Google, Youtube, and lots of trial and error.
That said, as I progressed I learned that in order to really grow as a creative I had to let go of control and learn how to collaborate with other creatives that are incredible at the things I’m unable to do. When I figured that out, it became easier to focus on execution, especially in an age where we have incredible cameras and rapidly progressing technology to convey our visions through. I truly believe that we live in an age that provides the most opportunity and has removed many of the barriers that may have previously stopped people from pursuing creative arts.
My personal journey took me from a passionless, non-creative individual to someone that decided one day that I was going to live a life I wanted to be able to look back on without regret. That journey and the incredible feeling of finally finding something that I was 110% passionate about gave me immense purpose in helping others try to uncover their version of that success for themselves. What most didn’t see was the intense ups and downs of that journey, and I always try to work in a sense of those feelings in my current work. I just feel like a lot of people go through life doing what they’re supposed to do, and if I can inspire even one person to attempt to look outside those boundaries, I’ve succeeded.
My first career was in Financial Services, where I went straight to work out of Undergraduate studies. As a first-generation Asian American to immigrant parents, I was encouraged to do things that no 12 year old should have to care about…like Calculus and Mandarin Chinese. (laughs) I was never really great in school compared to all of my peers, but I somehow managed to stumble out of school and into a couple well-respected corporate companies that gained my family and friends’ approval but basically required sacrificing my happiness for. It was through that time that I learned my greatest skill was actually thinking outside the box and getting creative with my processes at work (much to my boss’ dismay). Through a gradual journey of discovering more of my innate passions, I picked up photography, started traveling and learning more about the world and myself, and that was that.
Community is really important to me because I went through life feeling disenchanted and excluded because I was so different from everyone that seemed to have no problem navigating through life all the way through young-adulthood. Now that I know myself, have found my creative identity, and am confident in what value I can contribute to the world, I want to try to encourage anyone that was in that mindset that there is a light at the end of the tunnel. Basically be that guiding hand I could have used when I was still stumbling through those times. The amazing thing is that the community has given so much back to me in the form of opportunity, support, and a living which I am super-grateful for.
Part of the benefit to community building is that you also get to spend a lot of time networking with other people from all walks of life. A lot of my first big commercial gigs with Microsoft Xbox, Adobe, and Panasonic Lumix to name a few came about because I met the right people that liked my work enough to collaborate together. The other big piece was curating and getting my portfolio to a place that made it easy to show that I could be trusted with more responsibility on big projects. The beautiful thing is that the cycle continues to feed itself as my projects continue to increase in scope over time! Nowadays I try to work in this new age of social media broadcasting in tandem with my quality of work (and even my friend’s work) which my clients seem to love.
Networking, getting my work seen by way more eyes that I could traditionally (and for free), staying on top of creative trends, inspiring my community, and finding talent to collaborate and grow with are the main reasons why I enjoy using social media so much. It has worked out for me as I am a very social person and really enjoy sharing what I’m up to as well as my peer’s work, so I believe that with the right mindset it is an incredible tool for creatives to utilize!
I get a lot of inspiration from social media and web-based platforms like Flickr. I know that platforms can be overwhelming sometimes but I always make time to scroll and try to find new inspiration from artists I look up to in all sorts of genres. As long as you remain objective about what you are consuming, I’ve found that it is a literal treasure trove of inspiration! I also spend a lot of time exploring my surroundings wherever I am, so that has served me well if I am tasked with finding a location to fit a vision. Exploring especially comes in handy if I am unfamiliar with the spot, since I tend to look at it differently than someone that is super familiar would. When all that fails, I’ll lean on friends that I know have hundreds of location pins in their maps!
I would say [my biggest advice is] to build a financial safety net so that you can make mistakes comfortably. You are starting a business and that can be a huge learning curve on top of trying to stay creative, so it helps if you can lean on friends, family, or savings if things don’t work out right away (and they never do). In hindsight, I was lucky I had a career beforehand that allowed me to build a foundation to launch from.
Learn what opinions you should be actually taking as objective advice if you’re sharing your work on the internet. There will be tons of voices and you’re going to need to build confidence in yourself and your work in order to stand apart and progress as a creative. You know what’s best for yourself and the story you have to tell will stand out if you have found that balance in your work. Lastly, take things at your own pace and try not to compare yourself to others. Everyone shares their highlight reels and it can be easy to feel like you aren’t good enough. Rushing your own process can be one of the worst things you can do, so take your time.
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Find Alex Qian online:
Website: https://www.wayfaringprofessional.com/
Social media: Instagram | YouTube | Flickr | Twitter
Subscribe to the SmugMug Films channel to see future installments as soon as they are released.
Chris Dahl-Bredine isn’t your average aerial photographer — if there even is such a thing. Driven by a desire to connect with the world around him with as few barriers as possible, Chris straps himself into an ultralight aircraft and takes to the skies. Steering with one hand and shooting with the other, he captures stunning images of the American Southwest from above.
In our latest One Day, One Artist film, we accompany Chris into the high desert and mountains of New Mexico to see things from a bird’s-eye view. Watch the film below, and read on for a few of his tips about flight, photography, and elevating your perspective.
One of the biggest hurdles I ran into when I started flying was people thinking, “You’re nuts! You’re going to kill yourself!” They basically tried to scare me out of it. But anything is possible if you really put your mind to it and do it safely. Aerial photography is something you want to take step by step and really build your skills — piloting, learning the weather, knowing your camera, knowing your aircraft — so when you get up in the sky, you feel comfortable and can relax.
If you’re up there and you’re terrified, then you did something out of order. The most important thing is you feel safe up there before you even worry about photography. From there, that’s where magic happens.
I was always interested in photography, but I would only dabble in it. I never got that into it until I started flying. That’s when I realized what I was seeing was special and something not many people get to see. This was long before drones existed — almost 20 years ago — so especially then, not many people saw what I saw. Once I started flying, it was a natural progression to want to share what I was seeing through photography.
The main thing is capturing an image when you’re inspired by something — something that moves you when you see it. If it means something to you, it’s probably going to mean something to someone else as well.
When I first started photographing, I had a tiny, 35mm point-and-shoot Olympus camera. Then I met a guy where I live in Taos who was a printer and a photographer, and I wanted to print my images bigger. When you print them big, they just come to life; they’re more dramatic. But I realized I was limited by my little camera. So I tried digital for a little while, which was even worse at the time — at least what I could afford. Then I went to medium-format film, and that started getting me the quality and resolution I wanted for big prints. You could stand in front of a big print and feel like you’re looking out a window and actually seeing the scene in front of you. It just comes to life.
Shooting medium format while flying was challenging, but it also made me want to make each shot count, so it was good training for me. And when I could afford a really nice digital camera and shoot a thousand frames in one flight, that changed things.
Photographically, I try to be flexible and open to learning new things. It’s easy to get into one way of doing things and stay in that rut of process. I try to keep an open mind when I’m up there with the camera because I know there’s a lot I don’t know. There’s always a new way to see things and a new way to capture things. Everyone can find their own way that’s going to be different from someone else. The story is an important part of the photo, too, so I think finding and taking photos that have a story is a good thing to have in mind when you shoot.
In general, I make sure my camera gear is charged, I have plenty of room on my memory cards, and I have an extra battery. Then there’s the gear I wear: electric socks, electric gloves, long underwear, down pants, a down jacket, and a down suit over all that. It’s mostly having all the right layers so you can stay up there a while. If you forget one thing — say, your neck gaiter that keeps your face warm — then you have to land early because it’s so cold. Any bit of gear that fails or that you forget can basically end the flight earlier than you want to.
For my lens I usually use something pretty flexible, like a 24–70mm or 27–105mm, but I’ll sometimes change lenses. It’s totally possible to change lenses up there, but you have to be pretty cautious and aware of what you’re doing. I’ve seen a $2,500 lens fall out of a trike. A friend of mine didn’t get it on the camera right and we never found it. That was a big loss, but the biggest danger of shooting while flying is if anything falls and goes into the propeller…then you’re looking at more problems than your gear.
I really love flying when there are clouds. There are so many variations of what could happen when there’s clouds in the sky, it changes everything. I wait for weather events that could have spectacular clouds: a particular kind of lighting, really clear air after rain or snow, new snow on the mountains or on the deserts — that gets me up early, too.
I’m always drawn toward the light whenever I’m up there. When you follow your gut feeling, you can find something even greater than you imagined below the clouds. Once I saw golden shafts of light coming through a hole in the clouds up in the mountains. It was all grey and drab down below, so I made my way toward this light. After probably 30 minutes, I finally got up to the hole and popped through. On the other side was the most beautiful, golden cloudscape. Trees and peaks were poking up out of the clouds, everything was glittering and wet, the golden light was shining down on everything below me as I went above the clouds. It was such an exhilarating moment.
The best advice I have come across is to follow your truest passion — whatever moves you to a place of feeling alive, happy, and grateful. Seeing the world with wonder and gratitude keeps you open to other people and experiences, which is so important.
Much of photography can be a self-centered, “look at the shot I got” kind of thing. Which is fine — there’s nothing wrong with that — but how can we make photography a contribution to the whole that makes us better as a culture and as a world? I hope to inspire people to see the wonder of this world that we live in and be moved to a place of “I want to take care of this” or “how can I make the world better for future generations?” instead of “how can I go get this shot and call it mine?”
Building connections between people and the natural world — promoting a cleaner, better, more sustainable future — is an important thing people often overlook. If you can find some way to make connections with the natural world and with other people through your photography, I think that’s really what’s needed these days.
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Find Chris Dahl-Bredine online:
Portfolio
Facebook
Instagram
Subscribe to the SmugMug Films channel to see future installments as soon as they are released.
